“Time and space”

At the beginning of my adventure with painting,I was interested in the painterly whole of the picture,the influence of light and color as a factor that constructs the picture.The light that causes the relationship between the various elements of the composition,the abstract totality of real objects.Then I summarized the painting experience and analyzed the formal issues of this type of creation.I have come to the conclusion that I have to deny them in order to close one convention and open a new one.I started to paint geometric abstractions because I decided that formally this kind of visual-painting message lies on the other side of the pole of what I have been doing so far.I noticed that in Western European art I was fascinated by paintings with extreme formal means,as a juxtaposition I chose the late works of William, Turner and the squere compositions of Piet Mondrian.The artistic challenge aws to have uniform stylistic means within the frames of the painting.I found the desired effect that the outlines of portraits,characters and motifs inside the picture frames must consist of straight lines.The penetration of the motifs by overlapping them thickening always gives a uniform stylistic form.By creating schemes of realistics forms (idograms) by thickening them i obtained an abstract form,I took over In this way,a fragment of reality as a single motif transforms into the cosmological dimension(micro and macro cosmos).This creates the universal principle of unity in multiplicity and multiplicity in unity “all over”.

Robert Olszowski

Leonardo da Vinci’s paintings are an example of classical convention. These images represent people. My paintings are an example of quantum convention. They represent eternity. These are Two extremely opposite conventions.

Robert Olszowski

The best images are abstract images, because they are the source and seed of creativity( internal motivation to act), both in the image płane and in life.

Robert Olszowski

What counts in art is the quality of the message, The authour’s signature and money.

Robert Olszowski